Fra Angelico

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.


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Fra Angelico Madonna and Child with Angles oil


Madonna and Child with Angles
Painting ID::  29140
Madonna and Child with Angles
mk65 ca.1425 Tempera on panel 31 1/2x20"
mk65 ca.1425 Tempera_on_panel 31_1/2x20"
   
   
     

Fra Angelico Reliqury with Depiction of Christ and Angels oil


Reliqury with Depiction of Christ and Angels
Painting ID::  29141
Reliqury with Depiction of Christ and Angels
mk65 Tempera on panel 25 1/2x13"
mk65 Tempera_on_panel 25_1/2x13"
   
   
     

Fra Angelico Universal Judgment oil


Universal Judgment
Painting ID::  29733
Universal Judgment
mk67 Tempera on panel 41 3/8x82 11/16in
mk67 Tempera_on_panel 41_3/8x82_11/16in
   
   
     

Fra Angelico The Deposition oil


The Deposition
Painting ID::  29734
The Deposition
mk67 Tempera on panel 68 7/8x 72 13/16in
mk67 Tempera_on_panel 68_7/8x_72_13/16in
   
   
     

Fra Angelico The Linaioli Tabernacle oil


The Linaioli Tabernacle
Painting ID::  29735
The Linaioli Tabernacle
mk67 Tempera on panel 219 11/16x97 1/4in
mk67 Tempera_on_panel 219_11/16x97_1/4in
   
   
     

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     Fra Angelico
     Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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